Jacob Adams

Violist • Teacher • Musicologist


Solo with Huxford Symphony Orchestra

Posted October 22, 2017

Performing "Der Schwanendreher" with the Huxford Symphony Orchestra, 10/18/17

Performing “Der Schwanendreher” with the Huxford Symphony Orchestra, 10/18/17

I had a terrific experience performing with Maestro Blake Richardson and the excellent student musicians of UA’s Huxford Symphony Orchestra this past Wednesday night. It was a rare opportunity to perform Hindemith’s masterpiece “Der Schwanendreher” with orchestra. This piece is such a treat to play with orchestra because of the unique chamber orchestration Hindemith wrote – hence why it appears like a chamber ensemble (with no violins or violas) behind me. I hope to have video from the performance to share on the site shortly!

JAVS Article Published!

Posted December 21, 2015

Happy Holidays!

I am delighted to report that my featured article, “What’s in a Name? Ladislav Vycpalek and His Suite for Solo Viola, op. 21” has just been published in the Fall 2015 of the Journal of the American Viola Society. I hope this article will help draw attention to this unheralded work and this interesting composer.

Here’s a link to the article in pdf form: javsarticle


New Job!

Posted March 28, 2015

It has been a hectic few weeks, with many wonderful concerts and travels to all parts of the country. I feel very lucky to have so many opportunities, but am also grateful to be able to catch my breath.

The most exciting piece of news is that I have accepted the appointment of Assistant Professor of Viola at the University of Alabama School of Music in Tuscaloosa. This is truly an honor, and a very exciting opportunity! I look forward to working with the students and faculty in Tuscaloosa, and will be on campus starting in August. I am thrilled for this opportunity to recruit and develop a great viola studio at UA.

So…I guess I’m supposed to tell the tide to roll? Something? I’m sure I’ll learn.


Crowd-funding Campaign Update

Posted February 21, 2015

Hello everyone,

A heartfelt thank you to all of you who have already donated generously to my indie-gogo campaign. Because of your support, we are already over halfway to the funding goal, with two weeks left!

To give the backstory, the tracks have been meticulously recorded and edited at the highest professional level. An independent label is ready and interested to release the album, but needs funding assistance to produce and distribute it. This is the remaining money we are crowd-funding for. Once we have this funding, the album’s release will only be a matter of time!

So in case you didn’t think it is noticed, your donation makes a HUGE impact on realizing this project – which I cannot wait to share with everyone!

Indie-gogo Campaign – let’s make it happen!

Posted February 3, 2015

As promised, today is the launch of my indie-gogo campaign. The tracks recorded last year sound awesome, and offer original never-before-recorded repertoire to violists and music lovers everywhere. We have an interested label, but need to raise a few more shekels to get it published and distributed.

Please consider helping us achieve this goal – even the smallest donation makes a huge impact!

Thank you for your support – here’s the link again in case you missed it.

Upcoming Dates

Posted February 2, 2015

After a brief hiatus and minor technical hiccups, I have updated the site to include announced upcoming concert events in March – performances with Opera Santa Barbara, Santa Barbara Symphony, Trio 248, and Camerata Pacifica highlight what is sure to be a busy month!

In the coming days I will launch an indie-gogo campaign to help raise the remaining funds needed to publish and distribute my album of Czech music. Centaur Records is ready to produce it, and we are almost there with the money, but we could use your support!

Lastly, keep an eye out for my first published article on Vycpálek’s Viola Suite in the Journal of the American Viola Society Fall 2015 issue.

Back to practicing…

Vycpálek Recording Available!

Posted October 28, 2014

My recording of the Suite for Solo Viola, op. 21 by Czech composer Ladislav Vycpálek is now available for digital download! Special thanks to Barbara Hirsch, who engineered the recording, and Helen Callus, who produced the recording and provided invaluable feedback. The tracks were recorded at the Music Academy of the West in March 2014.

This piece is an unknown gem of the viola repertoire, deserving of a much wider audience (especially in the US). The tracks of all four movements are available through iTunes or through Bandcamp. I hope you enjoy discovering this piece as much as I have!

Additional tracks will soon be available, including my transcriptions of Janacek’s violin repertoire for viola. Thanks for all your support!

I guess I can write prescriptions now.

Posted September 16, 2014

Dear Internet,

I know you are eager to know what’s been going on.

It’s really hot in California which make the worrisome drought situation seem more dire.

My brother Peter (who helped make this website possible) got married in Cincinnati over Labor Day weekend. We had a fun party to celebrate.

And, oh yeah, I’m officially a doctor.

Technically, I am still waiting on some paperwork, and I am sure the piece of paper proclaiming me a doctor is still months away in the mail. But the committee-approved dissertation, the final step in the process, is complete. Alongside the recording made last spring (more on that soon I hope), this document is my big undertaking to complete the doctoral degree.

The title of the document is “The Viola Stands Alone: The Rise in Sonatas and Suites for Unaccompanied Viola, 1915-1929.” It touches on Reger, Hindemith, and Vycpalek and their solo viola works from this era, putting them in the context of those heady socio-cultural times.

This feels good to share. It was a huge process that took a lot of my time and attention the last few years, and I’m really proud of the results.

Radio appearance link

Posted March 28, 2014

Hi again!

My appearance with Linda and Angela on “Northwest Focus Live,” King FM, 98.1, Seattle is now available to listen to via SoundCloud. By clicking on my recording links to SoundCloud along the side of the site, you should be able to access it, as I re-posted it to my SoundCloud page. It is a full hour, and my playing is a bit tight – I’m not going to lie, playing live on the radio is nerve-wracking. Nevertheless, I would recommend listening starting at the 12:13 mark to hear me talk briefly about Vycpalek and my Czech recording project before performing the first movement of the Vycpalek Suite. Enjoy!

This is Being Recorded!

Posted March 23, 2014

Greetings! I write this while taking a much needed deep breath, reflecting on the bustling week that was while riding Amtrak through the Pacific Northwest on a gorgeous Sunday in March.

The title of this post is not my diatribe on Edward Snowden or wire-tapping, I promise. It is a reference to the theme that dominated this past week for me. The week began with two full days of recording Czech repertoire at the Music Academy of the West in Santa Barbara. I tackled the Janacek Violin Sonata (in my own arrangement for viola and piano) and the Vycpalek Suite for Solo Viola, Op. 21. The process was exhausting but thrilling, and I look forward to sharing the results of this recording project in the coming months! I must extend a very special thanks to the wonderful collaborators that helped make the recording possible: my generous and invaluable teacher Helen Callus, who served as producer and consultant, recording engineer Barbara Hirsch, pianist Pascal Salomon, and my academic advisor Dr. Derek Katz, who helped me hatch this entire crazy project and assisted with procuring University funding.

As part of winning the Frances Walton Competition last year, I was featured Friday night on King FM 98.1 FM in Seattle on the show “Northwest Focus Live.” A wonderful opportunity, to be sure. But having never played live on air before, this was a decidedly surreal experience, one that provoked long-dormant performance anxieties. Like most performers, I am accustomed to having immediate feedback from the audience I am performing for – I can adjust, read and react to the space and the audience over the course of a concert. To have no idea who may or may not be listening out there in the ether, playing for a faceless audience in a deathly-dry acoustic space, presents a wholly different set of challenges. I have no idea if I was able to say anything insightful or clever – but you can decide for yourself when I post a link to the interview in the coming days!

In the meantime, enjoy the fantastic license plate of Mr. Daniel Wing, who I had the pleasure of meeting on Saturday. A former violist in orchestras and string quartets in Germany, and current President of the Washington Music Educators (WMEA), he had the best license plate I have ever seen:

The amazingly awesome license plate of Daniel Wing, President of WMEA.

The amazingly awesome license plate of Daniel Wing, President of WMEA.